Tuesday, January 31, 2012

Little Miss Sunshine

Little Miss Sunshine

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Little Miss Sunshine Review

If you have ever attended a family reunion or sat down at an extended family holiday dinner and thought to yourself "Who are these people? How could I possibly be related to them?" -- then you will probably appreciate the hilarious and poignant indie film "Little Miss Sunshine."

Richard (Greg Kinnear) is the head of a mostly dysfunctional family and the author of a multi-step/self-help program that he espouses with the passion of a zealot. Sheryl (Toni Collette) is Richard's wife and arguably the most normal and high-functioning member of the family. Their son, Dwayne (Paul Dano), is a nihilistic and remote 15-year-old, who has either stopped speaking to his family because he can't stand them or taken a vow of silence to achieve a personal goal - depending on who is explaining his behavior. Olive (Abigail Breslin) is the family's bright and effervescent 7-year-old, who is already starting to pick up some of the family's more unhealthy tics of criticism and self-doubt. Grandpa (Alan Arkin) is Richard's acerbic and outspoken father who was booted out of his retirement home for snorting heroin. Add to this murky Freudian soup Sheryl's brother, Frank (a wonderfully restrained Steve Carell), who is newly released from the hospital after a failed suicide attempt.

When a message is left on the family's phone machine notifying them of Olive's acceptance into the semi-finals of the Little Miss Sunshine talent competition in California, they decide to (mostly) put aside their personal agendas and take Olive to the pageant. The combustible road trip is fueled by the radically different personalities bumping up against each other within the close confines of a VW bus and exacerbated by a variety of obstacles thrown at them in what seems to be a cosmic conspiracy designed to prevent the family from reaching the competition.

When the family finally does arrive at the pageant, the weirdness well and truly begins. Now I am someone who really loves a good horror story, but the 6 and 7 year old contestants were far scarier than anything you might see in a George Romero movie. I will take flesh melting zombies over little girls in full theatrical makeup and provocative costumes (that just screamed "JonBenet Ramsey") any day. The whole pageant atmosphere was Fellini-esque and completely cringe-inducing. When Olive is finally called upon to do her performance piece for the audience (a real show stopper which I won't spoil by detailing), she is actually the most wholesome and entertaining part of the whole pageant.

Although this family bickers with one another almost constantly, they manage to close ranks and support each other when it truly counts. Part of the pleasure of watching this film was the talented cast, who looked like they were really enjoying themselves. A wonderful way to spend 90 minutes -- and you will probably come away with a deeper appreciation of your own family.

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Monday, January 30, 2012

Norbit [HD DVD] [Import allemand]

Norbit [HD DVD] [Import allemand]

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Norbit [HD DVD] [Import allemand] Review

I thought this was a really good funny movie! Eddie Murphy is back doing what he does best! He plays Norbit Rice, and his mistreating obese wife, Rasputia. In the middle of the movie, Norbit's childhood girlfriend, Kate comes back to town, hoping to buy the orphanage that she and Norbit grew up in. Kate's fiance and Rasputia's brothers try to stop Kate so they can open a strip club. Later, Norbit finally gets courage with the help of some friendly pimps, and Mr. Wong to tell Kate the truth and win her love. If you love comedies, and Eddie Murphy, you'll love NORBIT!!!!

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Sunday, January 29, 2012

Il Deserto Rosso

Il Deserto Rosso

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Product Description

Artwork in Portuguese, audio in Italian subtitles in Portuguese. NO ENGLISH

Il Deserto Rosso Review

The usual cliche about Antonioni films is that they are studies of bored and alienated people, and are themselves vague and uninteresting. This line was started by Pauline Kael and is repeated by Leonard Maltin above, with not a second thought. But it is utterly wrong, and never more so than in the case of Red Desert. The main character Giuliana (Monica Vitti) is not bored - she is if anything too sensitively engaged with the world. She suffers from it as an artist suffers, feeling it in every part of her. (Her point of view is represented by Antonioni's careful abstract compositions, his beautiful use of colour.) But she also feels the lack of her husband's and son's love and it is this that drives her into an to attraction to Corrado (Richard Harris). He in turn is attracted to her and pretends to a closeness that he doesn't fully feel. The dynamics of this seduction are beautifully observed and movingly real.But it is the character of Giuliana that drives the film. She seems to possess an integrity in her suffering that sets her apart. Antonioni seems to be searching her soul as he allows the camera to dwell on her expressions of hurt and desperation (as Godard did with Anna Karina). And Monica Vitti is so beautiful that it is ultimately painful to watch her. But as for the standard opinion - the only people who could be bored by this film are those who are bored with feeling itself. This is a masterpiece of observed sensitivity - a study of the heart's war on consciousness. It must be seen. Help other customers find the most helpful reviews� Was this review helpful to you? Yes No Report abuse | PermalinkComment�Comment

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Saturday, January 28, 2012

Final Fantasy VII: Advent Children

Final Fantasy VII: Advent Children

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Final Fantasy VII: Advent Children Review

It's been almost four years since I first saw Final Fantasy VII: Advent Children and wrote my review for Amazon.com. After seeing the new complete version on Blu-Ray, I thought I'd come back and offer my thoughts only to discover that my original review was transferred over from the DVD edition. That review was written at a different time, before the DVD was even released in the States. I thought about going back and revising it, but that'd be changing the past. What I will add are my thoughts on the new Blu-Ray edition.

Firstly, if you're looking at the Blu-Ray edition, wondering if it's a worthy purchase, it definitely is. It's a much superior version to the original, both in content and clarity. Obviously, with the Blu-Ray the picture quality and sound quality have been considerably increased. There's a few little nitpicks, such as a shimmering, aliasing problem that pops up every now and then (The Resident Evil: Degeneration Blu-Ray had a similar problem) and it can be distracting. But the details are so much clearer now that it looks like a new movie.

Additionally, new content has been added to this release. A lot of times, "director's cuts" can be detrimental to the film and the pacing, but in the case of Advent Children, I appreciated the new content. I believe there's an additional 26 minutes added and these parts delve into the Geostigma and the origins of some of the characters as well as an extended fight between Cloud and Sephiroth. Overall, I think the additions are useful and help make the movie more of a movie and less an extended cut scene. It's just too bad that it didn't come with a playable demo of Final Fantasy XIII like it did in Japan...

On to my original review as it was back in 2005:

Cloud, Tifa, Sephiroth, Marlene, Barret, Vincent. The names could go on. This series reigns in many Final Fantasy fans' minds as being the best. Though in recent years a lot of people roll their eyes and say its over-rated (and it might be), for me, and for a lot of fans, Final Fantasy was a turning point in the genre not only in terms of graphics and presentation but also in story. I have been playing video games and RPGs since the very first NES. Final Fantasy VII was the first game that made me stop and go, wait when did a video game become something more than just pushing buttons?

Now we have the official sequel, Final Fantasy VII: Advent Children. Advent Children is basically a love note written for the fans of VII. Those who did not invest 40, 50, 60+ hours into the game will probably have no interest in it. But those who were shocked when (should I even say spoiler?) Sephiroth murders Aeris, who have a deep connection to the characters, and over the 40-60+ hours grew so attached to them that to this day they still draw fan art or look for that elusive way to get Aeris back in game(it doesn't exist, by the way), this movie will mean something.

AC is a beautiful CG movie taking place two years after the events of FFVII. While the ending of VII was climactic and exhilarating, providing a resolution of sorts to the people of Midgar, it did not provide a resolution, happy or not, for Cloud. In fact, it left him empty and hurt as we find in the beginning of Advent Children. What AC does is finish Cloud's story. Another reviewer here made a comment that he liked FFVII's ending. I do too, don't get me wrong. But the one thing it didn't do was end Cloud's story. For the length of the game, you have a deeply personal story surrounded by the world story and while the world got its ending, the people involved did no, unhappy or not. As I said, AC ends Cloud's story with a bang. And it is damn well worth the wait.

I don't think it would be right of me to talk about what happens in AC. Part of the fun and surprise is to see how well it fits together, brings memories of the video game and works to create an emotional core. I will keep the review as spoiler free as possible because I know I'm tired of reading reviews where people stick in something that can ruin the whole movie.

For those who didn't play or watch FFVII, this movie will not have much resonance since it's basically for the fans, both die-hard and casual. Those who loved FFVII will more than likely love this movie. AC is basically an action movie and the action is spectacular although the slow motion was used (while effectively) a little much. The sword play, the battles and the action is all directed with style oozing everywhere. The characters are all animated exceedingly well and the animators did a great job in making PS1 characters into spectacular CG. The musical score varies for me from being excellent to just okay. By far, the best moments are ones I can't talk about aurally for fear of spoiling surprises. Needless to say, the music is at its greatest when it brings in hints of FFVII, the video game.

There are a lot of connections to both VII and the Final Fantasy series as a whole. From moogle dolls to The Turks, the game oozes both FFVII and FF; although I was disappointed in not seeing any chocobos, there are a few moments that made up for it. One in particular revolves around the games End Battle Theme. Hilarious, laugh out loud scene. There are some minor annoyances. A couple of the scenes felt episodic and not connected. Some scenes were directed very well and lead into each other or intercut between each other. But there are a couple scenes that stand out because they didn't feel attached to what was going on. In fact, it felt as if they were cut scenes from a video game. Did this detract from the movie? Not in the least, but its there nonetheless.

What surprised me the most with this movie is that it wasn't done to milk the saga. I mean, of course its there to make money, and FFVII is a great way to do it because of fans' love for it. Anything in the business world is made around making money. But what I mean exactly is best represented in FFX-2. I am one who did not find FFX-2 at all interesting. In fact it is the only FF game I gave up on. It felt like it was a way of milking FFX for a little more money while the wait for FFXII kept getting longer and longer. However, AC is so intrinsically related to VII that it has a heart and emotion that I haven't seen in many movies released this year. I felt chills from the very opening moments as the narrator explained some of the events from VII and we see a flashback of Sephiroth standing in front of flames. And that was just the start of the thrills; there are scenes both emotional and thrilling to be found throughout the 1 hour 40 minutes of the film. And what satisfied me above all else was that Cloud's story finally received a perfect resolution.

I think most fans have been hoping and wishing that Aeris would return and I think the creators give a great answer to this in this movie. I won't spoil the ending, I won't tell you who does and doesn't return. But I will tell you the resolution is damn well awesome and probably the most satisfying ending to what is by far many people's favorite (if clich�d) choice for the Final Fantasy series. I do need to make a plea and I apologize for it, but if you downloaded this movie (like a certain reviewer did *cough*) please support it when it comes out here in the States and buy it. We need to show support to Square-Enix that this is the kind of sequel we want to see. They spent a long time and a lot of money making a movie that is direct to DVD here in the states. We need to return the favor and support it.

Square-Enix, my hats off to you for handling this with flair, tenderness and sympathy for the characters.

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Friday, January 27, 2012

BD * BD Invasion [Blu-ray] [Import allemand]

BD * BD Invasion [Blu-ray] [Import allemand]

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BD * BD Invasion [Blu-ray] [Import allemand] Review

Someone must defend the exquisite "The Invasion", which was a huge critical and commercial disaster when released in 2007. Personally, I think it was way ahead of its' time, and it is quite ironic that most people are waking up to its' genius on DVD.

Nicole Kidman, in perhaps her most restrained performance plays 'a woman against the world'. Holding onto her sanity while the rest of the world around her are converted literally into zombies, she plays a simple woman who has to deal with some extraordinary circumstances. I found her insomniac performance while teetering on the verge of a nervous breakdown while trapped in the convenience store, to be one of her greatest screen moments.

Its moments like that which define "The Invasion". This is NOT a film for special effects afficionados. In fact, I can't recall even one significant special effect or 'things blowing up'. What I got instead was a quiet, intelligent science fiction thriller that relied upon dialog and languid camera movement to convey a sense of fear and mayhem. In fact, the Directors' style here is an amalgamation of David Lynch and two of his best movies - "Dune" and "Mulholland Drive". The film-noir vibe is stark throughout this film, and I would say this is closer to an art film that a typical commercial thriller.

Perhaps its that sensibility that made this a commercial failure. In one extended sequence, Nicole Kidman is informed that in order to escape being noticed by the zombies, you need to be 'emotionless'. Nicole then proceeds to take the train and walk the streets, and does a fine job of conveying nothingness, simply to escape being killed, while all the while her character is dying inside. Superb.

The end could have been better, yes, and in fact even I was surprised at how conveniently they wrapped things up just to finish the film off. But thats a minor quibble. I preferred this vastly over last years "Children of Men", which I would call "The Invasion"'s poorer cousin. For the life of me, I cannot comprehend the negativity this film attracts when in fact its certainly a science fiction classic and clearly the best film made on the Invasion theme so far.

There is a film from 1994 - "Body Snatchers", which had the same storyline. That was another minor masterpiece that no one noticed (try looking for the DVD, it starred Gabrielle Anwar in her defining role). Its unsung movies like these that are present in the science fiction genre, and true fans of the medium such as myself will always be there to give them the respect they deserve.

Ignore the negativity, and BUY this on DVD today. Its certainly worth watching more than once, and will quickly become one of your favorite movies if you give it a chance.

Five Stars.

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