The Beatles Anthology [VHS]

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The Beatles Anthology [VHS] Review

Back in January 2000, I reviewed this box set here (see "If You Liked the TV Special, You'll Love This!"). 3 years later, many Beatles fans' prayers (including my own) have been answered with the release of this video library in DVD form. Rather than resay what I said back then, I just thought I'd write with a different perspective. The opening statement is from the liner notes of Derek Taylor, who served as the Beatles' press agent.To answer a recent review, here's what's on it: performances of the Beatles live in concert and television performances (not complete concerts), some original videos, narrated by Sir Paul McCartney, Ringo Starr, the late George Harrison (who was still around during the making of this documentary) and the late John Lennon (his comments are culled by old interviews), excerpts from early recordings, studio outtakes, press conferences and all 5 of their movies and finally, over 30 complete Beatles tracks (By the way, "Real Love" is included in this edition).The sound quality is superior here than the original VHS (and you have the option of LPCM Stereo, Dolby Digital surround sound and DTS 5.1 surround sound). You also have the option of subtitles in English, German, Spanish, French, Italian, and Portuguese (Brazilian and European). Just don't expect your Linguistics teachers to be impressed with how many French or Spanish words you learned while watching this!It is a bit of a shame that individual tracks weren't assembled for complete songs. Oh well, a minour disappointment! Keep in mind that the 8 video VHS box set was actually pricier than the 5 DVD box set back when it was released in 1996 (I remember paying over [money] for mine!).Then of course, there's the Special Features DVD. In addition to the "Real Love" video (which wasn't included on the original VHS edition), there's a segment in which Paul, George and Ringo all gather together in 1994 to discuss the old days and jam out on old songs. The 3 are also featured here in 1995 discussing with George Martin, their producer, the choosing of different outtakes on the 3 Anthology CD's and studio techniques they used during the original recording sessions. Paul, George and Ringo also discuss with Jeff Lynne how a Beatles mini-"reunion" took place with 2 John Lennon demos ("Free As a Bird" and "Real Love"). Also, there's a section on how many hours of interviews and classic footage came together for this documentary and a feature on how the "Free as a Bird" video was made.Give yourself at least 2 weeks to enjoy as Derek Taylor once put it these "10 hours of unchallengable evidence" of the Beatles' legacy, which continues even to this day. Help other customers find the most helpful reviews Was this review helpful to you? Yes No Report abuse | PermalinkComment�Comments (3)

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Mad Men - Saison 1 [Blu-ray]

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Price: $92.18   

Mad Men - Saison 1 [Blu-ray] Review

It would be hard to imagine a more absorbingly intelligent American TV series--in terms of writing, acting, and visuals--than MAD MEN. Just before the final season of THE SOPRANOS began in late 2007, AMC presented us in the summer with the thirteen episodes of this marvelously atmospheric series created by one of the main writers of the series, Matt Weiner, that HBO insanely took a pass on. Ostensibly the series is about a group of advertising agency working for Madison Avenue advertising agency, the fictitious Sterling-Cooper, in 1960, during the Nixon-Kennedy presidential contest; yet on a deeper level the show wrestles with much larger questions about the meaning of obsession with having (and marketing) happiness in mid-20th-century America. The series centers primarily around four characters whose lives are inextricably linked with one another: Don Draper (Jon Hamm), a handsome advertising executive at Sterling-Cooper of few words but enormous creative gifts who hides a mysterious past; his beautiful but childlike wife Betty (January Jones), whom he keeps entirely separate in the suburbs from his work life and his mistresses in the city; Peggy Olson (Elisabeth Moss), Don's new secretary, whose naive affect and kind heart belie her tremendous ambition; and Pete Campbell (Vincent Kartheiser), the smarmy account executive who trades on his ties to the Old New York "Knickerbocracy" to get him ahead. The four central actors are absolutely first-rate, as are several within their near orbits: John Slattery as Roger Sterling, the roguish partner who is both Don's friend and his competitor; the gifted Christina Hendricks, as the firm's femme fatale head secretary; and Robert Morse, as the firm's wily and eccentric senior partner.

Morse's presence ties the series to his famous work in both the Broadway and Hollywood production of HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, and the episodes make intelligent reference also to any number of important American fictional works about the NYC business and suburban domestic worlds of the post-War era, including THE APARTMENT and THE BEST OF EVERYTHING. (Richard Yates's REVOLUTIONARY ROAD and the films of Douglas Sirk are also repeatedly evoked too, if in less direct ways.) One of the pleasures of this fine DVD set are the superb extras which allow us to see the especially thoughtful work done by the series' set designers, hairstylists, and (particularly) its head costume designer. The commentaries are generally excellent, and it will come as no surprise to fans of the series that not only the series creator, Matt Weiner, and its writers are especially eloquent but so too are its actors, especially Hamm and Kartheiser. The eye-catching design of this DVD package (fashioned to look and open, naturally, like a classic American manufacturer's product: a Zippo lighter) has been rightly praised for its innovation but also rightly criticized for its unwieldiness.

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Untouchables [Blu-ray]

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Price: $118.03   

Untouchables [Blu-ray] Review

Sometimes dubbed "the Master of the Macabre," director Brian De Palma is best known for his enactments of the supernatural ("Carrie"), mania ("Dressed to Kill") - and his mob stories. The latter part of his reputation is primarily grounded on four of his movies from the ten-year period between 1983 and 1993: "Scarface" (1983, starring Al Pacino), "Wise Guys" (1986, starring Danny De Vito, Joe Piscopo and Harvey Keitel), "Carlito's Way" (1993, again starring Pacino) ... and "The Untouchables" (1987), featuring an all-star cast including Robert De Niro, Kevin Costner, Sean Connery, Andy Garcia and Charles Martin Smith. Among these, "The Untouchables" stands out as the only movie not primarily told from the gangster's but from the lawmen's perspective - but what it does share with all of De Palma's works is an almost voyeuristic appeal to its audience's visual senses; going far beyond the lavish display of film blood it is most often cited for.

Less fact-based than cinematic grand opera par excellence, the movie takes as its premise the end of the career of Chicago's ganglord of ganglords, Al "Scarface" Capone, who (after a few half-hearted attempts to prosecute him for murder had failed due to the unavailability of witnesses) pled guilty, in 1931, to evading federal income tax, and was sentenced to an 11-year prison term and a $50,000 fine. Capone's downfall was brought about by a group of initially 50 but later only nine Treasury Agents, formed in 1929 (not in 1930, as suggested here) with the express purpose of breaking up his operations, and headed by Eliot Ness, whose 1957 book "The Untouchables" posthumously gave new rise to his fame - Ness died of a heart attack without ever having witnessed the full extent of his book's success - and inspired, inter alia, the like-named 1959 television series starring Robert Stack and Brian De Palma's 1987 movie.

Scripted by Pulitzer Prize winner and Chicago native David Mamet ("Glengarry Glen Ross"), "The Untouchables" is not so much a study in character development as based on a western's classic "good versus evil" setup; although that doesn't mean that its protagonists are two-dimensional in any way. On the contrary: Robert De Niro imbues his Capone with a ruthlessness and glib charm very likely matching those of the real "Scarface," who was known for his little hesitation to commit murder and other acts of violence as much as he cultivated a reputation as a savvy businessman and benefactor of the poor, for example by running several soup kitchens. (And yes, all of De Niro's mannerisms are on full display, too; but rarely have they fitted a role as well as here.) Kevin Costner's Eliot Ness may be a little too assertive - Robert Stack once commented, after several conversations with Ness's nearest and dearest, that the real-life Treasury Agent had been described to him as "rather soft-spoken, but very effective and brave" - but mildness is certainly not the principle trait written into the larger-than-life role of the man who "got" Al Capone, and Costner *is* an effective lead; although he is matched (not entirely sidelined, but darn near outplayed) by Sean Connery, who deservedly won an Oscar, a Golden Globe and a National Board of Review Award as the crotchety old-timer Malone who has seen it all, somehow managed to stay both clean and alive, and now lets Ness talk him into becoming his tutor in all things Chicago Gangland. Andy Garcia, in his break-through role, is instantly likable as George Stone, the smart, fast kid from the South Side who doesn't take kindly to put-downs of his origin but can nail a human target with one hand while lying down and holding a baby stroller with the other hand. Charles Martin Smith finally brings humanity and subtle humor to the character probably closest to the real-life "Untouchables," accountant Oscar Wallace, who first has the idea to charge Capone for income tax evasion. Strong performances by Billy Drago as Capone's right-hand man Frank Nitti (who of course was not really thrown off a rooftop by Ness), Richard Bradford as Police Chief Mike Dorsett, Patricia Clarkson as Ness's wife, Jack Kehoe as Capone's bookkeeper Walter Payne and others round out an altogether impressive cast.

Unmistakeably scored by Ennio Morricone (whose style often, and certainly here, doesn't even take a full bar to recognize; and who with an ASCAP Award, a Grammy and a BAFTA Award was the movie's other major winner besides Connery), "The Untouchables" lives off its splendid cinematography, production design - costumes courtesy of Giorgio Armani - and the exquisite timing of its sharp-edged dialogue and editing: Not only is screenwriter Mamet known to have his actors practice their lines according to a metronome; the editing of some of the movie's most memorable scenes has the distinct feeling of a carefully choreographed, veritable ballet. This is particularly true for Malone's death, pointedly set against the aria "Vesti la Giubba" from Ruggero Leoncavallo's opera "I Pagliacci" ("The Clowns"), which is based on a real-life murder and which Capone attends while his lieutenants waylay Malone in his own apartment; and the famous shoot-out in Chicago's Union Station, which turns into a deadly dance of bullets, blood and a baby stroller, shot almost entirely in slow motion.

Paradoxically, the one plot element this movie is most often criticized for - the jury switch at Capone's trial - is one of the few facts that actually did take place (although Capone's attorney would have had to be given the right to conduct a new voir dire). But ultimately, it doesn't even really matter how much of the plot is fact-based and how much fiction: Even if "The Untouchables" doesn't quite reach the mythical status of the "Godfather" trilogy - particularly its Parts 1 and 2 - as the mob movie to end all mob movies, it is one of only a handful other films that at least come close to the proportions of Francis Ford Coppola's epic masterpiece.

Also recommended:
The Untouchables
Eliot Ness and the Untouchables: The Historical Reality and the Film and Television Depictions
Capone: The Life and World of Al Capone
Scarface
Carlito's Way
Wise Guys
GoodFellas
Casino (Widescreen 10th Anniversary Edition)
Once Upon a Time in America (Two-Disc Special Edition)
The Godfather DVD Collection (The Godfather/ The Godfather - Part II/ The Godfather - Part III)

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Jeffrey (PAL - Import)

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Jeffrey (PAL - Import) Review

The professional reviewer missed the main point of Jeffrey's dilemma. He's not so afraid of getting AIDS; he's afraid of falling in love with a man who then dies of it. Most people figure a 50% chance of dying before their spouse; but taking on a person with a known, fatal disease throws those odds way out of kilter and creates a desperate, poignant situation.

Steve Weber is no gayer than George Bush but he certainly is an enthusiastic kisser. This was the first film I saw Michael Weiss in and he totally had me convinced he was gay. I knew Patrick Stewart isn't, but his performance is dead on.

Overall, a very funny movie with a big, big heart.

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Der Stadtneurotiker mit Diane Keaton

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Der Stadtneurotiker mit Diane Keaton Review

I have a confession to make. Until now, I've never seen a Woody Allen movie. Boy, I sure was a "miss out". Annie Hall, made in 1977, is a classic. Why, oh why, did I wait so long? First of all it's a story, and a very funny story at that, about a New York Jewish comedian, played by Woody Allen and his WASP girlfriend, played by Diane Keaton. It pokes fun at many social mores that we take for granted and I found myself laughing throughout. There's the New Yorker who never learns to drive, the mid-westerner who orders a pastrami sandwich on white bread with mayonnaise (which seems almost grotesque to a New Yorker like me), the pretentious movie critic, the neuroses of modern romances, and the differences between the New York and Los Angeles way of life. The film runs along at such a fast pace that there is almost no time at all between funny moments. And, to make it even better, there are some wonderful film techniques. For example, while Diane Keaton and Woody Allen are talking about photography, there are subtitles on the screen about the physical relationship that they are really thinking about. If the film were made today the phone calls would have been made on cell phones. But surprisingly, that is the only detail that might be changed. Annie Hall has really truly stood the test of time. And I loved it. Help other customers find the most helpful reviews Was this review helpful to you? Yes No Report abuse | PermalinkComment�Comments (3)

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DESTINATION FINALE 4 BLU RAY 3D

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Price: $113.99   

DESTINATION FINALE 4 BLU RAY 3D Review

I have a 3D TV and bought this Blu-Ray disc based on Amazon's product description that stated "To watch this movie in Blu-ray 3D, you will need a 3D-capable television that comes with active-shutter glasses and a 3D-capable Blu-ray player". When it arrived I was a bit concerned to see that it came with two pairs of red and green filtered glasses and there was no mention of 3D TVs on the box. There were two discs though, so I hoped one of them contained a proper 3D movie for 3D TVs - No such luck so I returned it, which to Amazon's credit, was a very simple experience actually. I just printed out a UPS return label from Amazon's website and dropped it off at my nearest UPS Store and hopefully they're paying for it. Amazon needs to change their product description otherwise they're going to get a lot of returns.

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