Fiancee of Dracula [VHS]

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Fiancee of Dracula [VHS] Review

For over 30 years French director Jean Rollin has been the naughty boy of European horror (as opposed to his Spanish counterpart Jesus Franco who has been the nasty boy). Rollin's horror films have mixed nudity and sex with images of stylized nightmares to create an atmosphere of beautiful horror rather than bone-chilling terror. Perhaps this ideal of beauty and horror is one of the main reasons why Rollin has been assigned to cult status and has never flourished in the big time. His films are too artistic and attractive for horror fans and much too twisted for fans of haute cinema. Whatever the reasons for his cult status may be, his legion of fans has been loyal and omnipresent throughout the VHS and DVD age.

In FIANCEE OF DRACULA, Rollin has brought back his key female lead Brigitte Lahaie (see FASCINATION) and has even tipped his hat to his most loyal followers by using Cathy Pascal (one of his familiar "twins") in a bit role. The story here revolves around a professor and his dippy hippy assistant trying to find Dracula by following around an unusual band of parallel beings, including a circus dwarf, a red-headed female vampire, a female ogre, and a woman who drives everyone around her to a state of madness (and who also happens to claim to be Dracula's fiancee). If you watch the film in French with the English subtitles you will get a much better sense of the parallel world that Rollin has attempted to create. The music, the sounds, the language, etc. is so much more poetic and moving on the French soundtrack. The film almost works in French. With the English dub, however, you get a cheap and miserable low budget horror film with poorly chosen voices and an antiseptic background almost devoid of subtlety and atmosphere. Not a single one of the English dubbed voices works. For loyal fans the cameo by Lahaie is worth the price of admission. For newcomers, it will be a hard row to plow to get through this in one sitting. Perhaps in response to those critics who declared his beautiful horror to be too beautiful, Rollin has gone a bit overboard in the depravity department this time. Dwarves sucking blood, ogresses eating babies, vivid putrefying flesh: not exactly the calling cards of Jean Rollin; but these are a sign that even a mature filmmaker such as Rollin can learn to change with the times and will attempt to deliver what he senses the audience may demand. It's difficult to pan this film because it will rate highly with fans of European stylized horror. For those who are willing to live on a dare, buy it. Others may want to wade into Rollin and Franco territory with safer choices first, perhaps like FASCINATION or LUST FOR FRANKENSTEIN. Help other customers find the most helpful reviews� Was this review helpful to you? Yes No Report abuse | PermalinkComment�Comment

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