Bombay

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Price: $95.00   

Product Description

In a village in the Thirunelveli District (TN), young lovers overcome the barriers placed on them by tradition & religion to be with each other. Shekhar (Arvind Swamy), a young Hindu and Shah Bano (Manisha Koirala) a Muslim girl, fall in love at first sight. When both of their families object to their getting married, Shekhar & Shah Bano elope and move to Bombay. They live happily for a few years with their young sons Kamal & Kabir (Masters Hriday & Harsha) until the Bombay riots break out on December 6th, 1992. How the family face the crisis and what happens to them forms the basis for the story.

Bombay Review

You can find in this story all the dirty tricks that you can imagine to emotionaly engage an audience and make it reach a tear-splashed climax. First you have the Romeo-and-Juliet style love affair between the two main characters: the shocking love choice of a muslim girl by a hindu man that makes them abandom their families and native village, where life would be impossible, for the more tolerant atmosphere of the great city of Bombay.

When we have already begun to feel more relaxed, seeing they have comfortably (by Indian standards) settled in Bombay, and that their families have finally accepted the marriage after a pair of twins have been born to the happy couple, we must get ready to suffer in earnest. The infamous riots of Bombay begin. And then the film presents the dirtiest trick: the children of the couple will have to suffer the unleashed violence of ethnical and religious hatred.

We,as audience,suffer along with the parents, who are afraid have lost their children forever, but we are nevertheless mercilessly shown the results of this violence of neighbour against neighbour in hard, impossible to forget images (such as the one when the protagonists look for their children in a hospital ward and in a morgue), of course without gore-ish details, as is the canon in Bollywood, but by this time you must be made out of stone indeed if you are not crying your eyes out.

Another thing we are shown, and this is quite a common message in the Indian cinema lately, is how the riots are the result of the politicians'/religious leaders' vicious manipulation of the people's minds.
Although the political message of the film is very plain, to the point of being of pamphlet quality, and the emotional dirty tricks are felt as so many blows below the belt, it takes Bolliwood to make from all this tricky material a gripping story that has the audience watching on, with a lump on their throat, for three hours.

You can also find more levels than just the purely superficial in the movie: there is always the symbolism, so dearly loved by Indian cinema, as in the case of the twins and their fate. And there are some subtler messages: when one of the boys gets lost and is in danger of being trampled to death by a terrrified mob, he is rescued by an eunuch. And it is this most despised and marginal of members of society who, while tending to the boy's wounds and feeding him, finally explains to the boy what religion is, and what is the difference between a muslim and a hindu.

As usual with Bollywood films, there are musical numbers, but in this case we don't have any major star of India, although the main actors are great (she is especially charming in the style of Audrey Hepburn); but you have to watch out for the support actors: whenever the two fathers-in-law (one of them a very pious muslim, the other a very pious hindu...always having commical clashes)are in a scene the screen rocks!

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