Sunday, May 5, 2013

DONIZETTI: LA FILLE DU REGIMEN

DONIZETTI: LA FILLE DU REGIMEN

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DONIZETTI: LA FILLE DU REGIMEN Review

It's hard to write about this Covent Garden production without comparing it to the Teatro Carlo Felice production from 2005 which is also on DVD and features Juan Diego Florez. (In fact, both productions are updated to one of our 20th Century "World Wars," this one to WWI, the Teatro Carlo Felice production to WWII.) So, I'll compare the two since some readers may just want to buy one of them. I gave the other five stars and this one four, but I wouldn't make the choice on that basis alone. If you want to see what played at The Met in the spring of 2008, or if Natalie Dessay is one of your favorite performers, this is the DVD to buy.

Juan Diego Florez sings spectacularly in both productions. In this production, he does not encore "Ah, mes amis," so you'll have to do with just nine of his thrillingly precise high C's. However, I think he's more relaxed at Covent Garden, having added two years to his onstage experience.

Patrizia Ciofi of the Teatro Carlo Felice production cannot compete with Natalie Dessay as a comic actress. Beverly Sills called the role of Marie, "Lucille Ball with high notes." That describes Dessay's performance perfectly. Her high notes are indeed the highlight of her singing and her comic antics are a delight to watch. As I wrote in my review of the Teatro Carlo Felice production, Ciofi is not a natural comedienne. But, in my opinion, Ciofi has the superior voice; it is fuller, more varied in tone and more textured. She creates a more operatic Marie.

The Teatro Carlo Felice production gives the relationship between Sulpice and the Marquise a flirtatious turn. It adds a lot to their otherwise rather dull roles (dull compared to other supporting roles in Donizetti comedies, such as Dr. Dulcamara and Giannetta in "L'Elisir d'Amore").

Finally, the Teatro Carlo Felice production comes with a second DVD devoted to behind-the-scenes material that is as good as it gets. (I describe it in detail in my review of the Teatro Carlo Felice production.)

There are several reasons you might prefer this production to the Teatro Carlo Felice of 2005 even though I think the other is of higher quality overall. First, the Covent Garden production is the same production and the same cast (except for the speaking role of the Duchess of Crackentorp) that played at The Met this spring and was shown in movie theaters around the world. So, if you want to see that Met production, this is the DVD to buy. (Of course, Covent Garden features a different chorus, orchestra, and conductor.) Secondly, if you love Natalie Dessay, I recommend this production over Teatro Carlo Felice.

I thought the Teatro Carlo Felice production had more to offer: the encored "Ah, mes amis," the superior singing of Patrizia Ciofi, the delightful relationship that develops between Sulpice and the Marquise, and finally, that bonus DVD. You can't go wrong with either production.

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